Who'd Play You - Part II

So I'm finally getting down to it...

Hiran: Re-evaluated

Hiran gave me a whole lot of shit about who I chose for him in the first post and after I thought about it I found that it was actually Jason Schwartzman who was perfectly suited for him. Think about it: the eyebrows, the height, that slight awkwardness, that aura of being permanently unimpressed. If anything, Schwartzman may be a little to whimsical to play Hiran, but then again this is a guy who calls them 'sweeties'. That second photo represents possibly the most inspired casting choice for Hiran.

Manekha

When choosing someone to play my sister, I'm of two minds: do I play to her bubblier girly side or to this newly found bohemian attitude? Or is there an actress who exemplifies both? While Kate Winslet would get down the boho spirit and artistic temperament, I find a her little too severe to play Mon. Kate Hudson, on the other hand, has just the right mix of Boho chic and sprite-like aura to get down my sister.

Ma

Hiranti Welandawe's a lot of things: mother, architect, businesswoman, she's at once level headed and overly dramatic, which requires the talent of an actress able to scale that fine line without tipping into hysterics. There's only one actor I can think of who can tap into characters with a tendency to be drama queens, without chewing the curtains, all the while imbuing them with a great intelligence and grit and that actor is Annette Bening.

Pa

This is quite possibly the easiest casting choice I could think of. Jeff Daniels has the look, mood and temperament to get Madhura Prematilleke down exactly. There's the air of intelligence, a dry dry sense of humour, the positive outlook- its all right there. I'd say this match was perfect.

Jenny

Jenny, my step-mom, was one of the harder to cast. Jenny has a real sense of warmth in her which is no small part due to her distinct voice. I needed an actress who certainly had that earthy quality as well a more vibrant brighter side. Julianne Moore with her bright red locks, high voice, and explosive talent would probably get every single beat right.

Shaneen

Uhh...I just can't take how much they fit. The look, the voice, the temperament. Shaneen is Sandra Bullock and Sandra is Shaneen. Nothing more needs to be said.

Bugoy

Aaah..It was pretty hard to find anyone who really encapsulated Boogie, or the phat one as he's know in the blogsphere, completely. Philip Seymour Hoffman was the name people came up with most of the time, but anyone who knows Bugoy would see that there's very little similarity. Harvey Firestein, on the other hand, has just the kind of vibrancy and larger than life attitude that Bugoy has. He could easily portray the unhinged exuberance that Bugoy exudes. However Bugoy also has bouts of sadness and a vulnerability that is at once hidden but also visible, and I doubt Firestein would have the dramatic chops. Perhaps, Hoffman wasn't a bad suggestion after all.

Tashi

For Tashi I've chosen two actresses who could probably do well in portraying that child-like aura she gives out. Sissy Spacek made her name playing characters like that (so much so that as she grew older she found it hard to find parts) and her striking beauty and charisma make her even more suitable. Winona Ryder seems to radiate that same sort of other-worldly quality that Tashi does too.

Ashira

When choosing an actress for Ashira there was certain criteria they needed to meet: talent, beauty, intelligence, a slight naivete and that fast talking urgency that she has. Toni Collette's enormous talent meets all this criteria. Collette especially has the urgency to play Ashira's almost one track need to know everything and her tendency to carry all the weight of her problems herself. Reese Witherspoon becomes the first actor to be mentioned twice. Her performance in Election has me convinced that she'd know exactly how to portray Ashira.

Bianca

For B there's only one actor I can think of that has the accent, the mannerisms and the open vulnerability. That actor is the little-known Lysette Anthony who you may remember as Sidney Pollack's girlfriend in Husbands and Wives or as John Travolta's boss in the awful Look Who's Talking Now. Anthony just seems to have a quality that screams Bianca. If there is anyone else then its probably, the brilliant, Mary-Louise Parker who also possesses the same lackadaisical charm that B does.

Tharika

Chloe Sevigny and Sarah Polley seem like perfect fits for Tharika. There's the droll, docile and almostpermanentlyy stoned quality juxtaposed with that girly-ness that I feel lies somewhere in Tharika. Both actresses seem to have all these qualities down but Polley is probably a better fit, she seems to find a balance between the traits whereas Sevigny is far more the former than the latter.

Mika

Tricia Helfer (Battlestar Galactica) seems like the perfect fit for Mika:statuesquee, beautiful, intelligent, and funny. She could probably hit every single note right, perfectly portraying every facet of Mika's personality.

Chanch

The thing that strikes me most about Chanchala is that she seems like she's knowledgeable about most everything. With that in mind I chose two actresses who possess that same quality but also had an undercurrent of emotions floating around to portray Chanch's almost unstable hold of her emotions. Those two women and are Hope Davis and Laura Linney.

Adam

Adam is Ashton Kutcher. The voice, the look, the attitude- this is a cake walk. Even someone as talentless as Kutcher could pull this off.

Marie Antoinette (Sofia Coppola, 2006)



I just watched the film and I'm still not sure how I feel about it. I think what surprised me most about it was the general lack of plot. The film is almost entirely shots of Antoinette hanging around
Versailles and throwing parties. That's not necessarily a bad thing but the film does seem to lag in certain points and, at times, lack direction. There are some sequences that were stunning, especially Antoinette's 18th birthday party, however the film goes up and down in terms of quality: some scenes are brilliant whereas others don't make any impact at all. It's certainly gorgeous to look at, Milena Canonero's costumes, the photography and production design are all breathtaking and I loved the use of modern music (one scene where Coppola uses The Strokes is particularly effective).

The performances were good throughout even though the decision to use the actor's real accents was a little jarring at first: After all the King of France speaking in a thick American accent is anything but normal. The performances that I enjoyed the most were the smaller ones from Judy Davis, Molly Shannon and Shirley Henderson.

Overall, I enjoyed the film but I couldn't wholly embrace it. I found it hard to understand the point of it all: what's Coppola trying to say here: That the French nobility were like a bunch of high school kids? What's the point of making a film about it? That was my main peeve, other than that I did enjoy it. I'll probably need to think this over again before I really know how I feel about it but the more I do the more I like it...


(left to right: me, Tharika, Natasha's arm and leg, Asvajit, and Yhevin, standing: Bianca) photo by Yanik Tissera

I went to m****e and bought a thumby cap, a trishaw, a handbag, a carton of ice cream, a TRUCK, a toothbrush, a Mohini, a Jihad, a PANT, a Papa Oalof, a Tesh, a motherboard, a flower, a Banga, a blade of grass, some sex, a statue of the Virgin Mary, a poster of Britney Spears, a kilo of beef, a bucket of salt, ONE MORE PANT PLEASE, GG's ****, one packet of potato WEDGIES wrapped in one more pant please!, a monkey, a twig, a fig and a basketball.

So Frackin' Good




I really don't know if I can take how good these two shows are, I just watched Lost's second season finale, 'Live Together, Die Alone' and, as they say in the 12 colonies of Kobol, frack me.

DO NOT SCROLL DOWN IF YOU DO NOT WANT TO SEE SPOILERS OF THE LOST FINALE






Seriously, I can't deal.

Emmy Nominations

So the Emmy nominations came out on Thursday and of course they sucked big motherfucking balls. This year's list is actually worse than I can ever remember and its all due to the new voting process. The Emmys have the problem where they always nominate the same shows year in and year out, always honour the same actors and are always late to catch on to either the hot new shows or that formally hot shows have now fallen past there prime. So this year a new system was developed where everyone would vote and then the top 15 vote getters would each submit one episode of their work to a panel of judges, who view all the tapes and then decide on the top 5. The system was invented to help out the smaller networks like UPN and The WB, who do have some good (even great) shows that are never recognized, but this is the Emmys so it of course worked the wrong way and instead helped out the smaller shows on the 3 Big networks...

The Good
  • 24 being the most nominated show- especially great noms for Gregory fucking Itzin and Jean Smart
  • Arrested Development, The Office (US version) and Curb Your Enthusiasm all made the comedy lineup
  • Lots of love for Stephen Colbert
  • Six Feet Under manages to get some great noms for it's stunning last season (Alan Ball for directing and writing the finale, Krause in actor, Conroy in actress and the divine Patricia Clarkson for guest actress)
  • Denis Leary for Rescue Me
  • Lisa Kudrow's nomination for the now defunct The Comeback, Julia Louis-Dreyfus back at it with Old Christine, Jeremy Piven's awesome work on Entourage
  • Elizabeth Fucking Perkins for Weeds, Jaime Pressley in My Name is Earl and FINALLY a nom for Will Arnett's tremendous work on Arrested Development
The Bad
  • Not one single Housewife was nominated- after getting 3 of the 5 slots for Best Actress in a Comedy and Huffman winning, they snubbed all of them. I haven't been a fan of the wildly uneven and boring second season and the total snub of the show in EVERY major category is actually something I'm pretty happy about but no nominations for the Actresses, especially over wtf noms like Stockard Channing in Out of Practice and Debra Messing for Will and Grace is ridiculous
  • Too much love for Grey's Anatomy- I like the show but I do not get why people are so crazy about it
  • Two and Half Men for Comedy Series and the general overwhelming number of laugh-track sitcoms that got noms
  • House gets in for Drama Series but you don't nominate Hugh Laurie??? He is the show, how is it possible not to give him a nom.
  • Law & Order: SVU manages noms in acting for their blatant Emmy bait
  • Great new shows like Rome, Big Love and Everybody Hates Chris have to deal with just a few noms here and there
  • No Jason Lee for My Name is Earl in the Best Actor lineup is just wiered and where in FUCK is Jason Bateman??
And the Motherfucking Ugly
  • No Lost for Drama Series!! The only drama this year that was consitstently brilliant, so far and beyond better than anything (at some points even better than the Sopranos) on television and last year's winner gets snubbed. Not only is there no Series nom, they only got one single acting nomination and that was a Guest Actor nod for the guy who plays Desmond.
  • The Sopranos gets is in for Drama Series but they don't fucking nominate James Gandolfini and Edie Falco- the two people other than David Chase that make the show so great. Falco's snub, especially, considering her stunning work in Carmela's dealing with Tony's illness, is shocking.
  • No Mary-Louise Parker or Lauren Graham for Best Actress-Comedy!! The system was invented for Graham's brilliant work on Gilmore Girls to finally get some recognition after 5 years of snubs and she still didn't get in. Considering all the love for Weeds, you'd have thought MLP's Globe winning work would get a mention, but no- they just had to nominate Jane Kaczmerak's dull work on Malcolm in the Middle.
  • Charlie Sheen? really?
  • The one person to get an acting nom for Desperate Housewives is Alfre Woodard! I love Alfre Woodard's work elsewhere but she was ridiculously underused on the show, missing for episodes at a time and when she was on, her work was insipid and dull. The nomination is utterly pointless.
You can see the whole list here

Ok, rant over.

As a sign off, here's my picks for this past 05-06 season

Drama Series
24
Lost
Six Feet Under
The Sopranos
Veronica Mars

Co
medy Series
Arrested Development
Entourage
Gilmore Girls
The Office
Weeds

Best Actor-Drama
Matthew Fox, Lost
James Gandolfini, The Sopranos
Michael C. Hall, Six Feet Under
Peter Krause, Six Feet Under
Hugh Laurie, House
Denis Leary, Rescue Me

Best Actor-Comedy
Jason Bateman, Arrested Development
Zach Braff, Scrubs
Steve Carrell, The Office
Ricky Gervais, Extras
Jason Lee, My Name is Earl

Best Actress- Drama
Kristen Bell, Veronica Mars
Frances Conroy, Six Feet Under
Edie Falco, The Sopranos
Rachel Griffiths, Six Feet Under
Polly Walker, Rome

Best Actress-Comedy
Tichina Arnold, Everybody Hates Chris
Lauren Graham, Gilmore Girls
Felicity Huffman, Desperate Housewives
Eva Longoria, Desperate Housewives
Mary-Louise Parker, Weeds

Best Supporting Actor-Drama
Adewale Akinnuoye-Agabje, Lost
Naveen Andrews, Lost
James Cromwell, Six Feet Under
Gregory Itzin, 24
Terry O' Quinn, Lost

Best Supporting Actor-Comedy
Will Arnett, Arrested Development
Michael Cera, Arrested Development
John Krasinksi, The Office
John C. McGinley, Scrubs
Jeremy Piven, Entourage

Best Supporting Actress-Drama
Lauren Ambrose, Six Feet Under
Lindsay Duncan, Rome
Sandra Oh, Grey's Anatomy
Jean Smart, 24
Emily VanCamp, Everwood

Best Supporting Actress-Comedy
Kelly Bishop, Gilmore Girls
Portia De Rossi, Arrested Development
Elizabeth Perkins, Weeds
Jaime Pressley, My Name is Earl
Jessica Walter, Arrested Development

oh and while we're on the subject of TV, anyone know where I can get season 1 and 2 of Battlestar Galactica?

Top 100 Male Performances 2000-05 Part Deux

The next 10 are (finally) up

90.
Dustin Hoffman, I Huckabees

Its been a long while since Hoffman has given a performance that impressed me, in fact, save for the minor bright spot Wag the Dog, the last time Hoffman was truly Hoffman was Tootsie, twenty-four years ago. So you can imagine how thrilled I was to see his work in David O. Russell's film. Hoffman's work may not take centre stage but he manages to turn out an absolutely ebullient performance. His Bernard Jaffe, spouting on about transcending space and time and interconnectedness, is an absolute joy. He seems to sing every one of his lines, perfectly in touch with the nuances of Russell's writing and direction, adding to both the role and the film tremendously.

89. Topher Grace, In Good Company

In Good Company is a film that means terribly well but can never seem to get off the ground. All the ingredients for success are there: good writer/director, good cast, good story, but the film ends up less than the sum of its parts: plodding, uneven and, it its final third, falling back on cliched ideas. None of this, however, is the fault of Topher Grace. The young actor wipes clean the dreaded memory of That 70s Show with one fell swoop. He imbues the film with an energy otherwise missing, giving in a performance that crackles with energy, spark and wit- it seems like the role Grace was born to play. There's a moment in Ocean's 12 where Grace playing an exaggerated version of himself says, mid-breakdown, that he phoned in "That Dennis Quaid movie"-- that line couldn't be further from the truth.

88. Jamie Foxx, Ray

This performance is listed here almost despite itself. During the whole Oscar hoopla in early '05 where you couldn't watch an award ceremony without seeing Jamie Foxx do that call and response thing and bring up that damn dead grandma of his, my feelings on his performance went from kinda liking it to an absolute all consuming hatred. Foxx's Oscar is not the product of his work here but simply that it checks all the boxes necessary: play real person, play real dead person, play real dead person who just died, actorly mannerisms (read: mimicry), media worship, previously undervalued actor makes good. Despite all that I can admit that this IS a good performance, Foxx is engaging and charismatic and he certainly channels Ray Charles perfectly. But, alas, it is just that: Foxx acting just like Charles is no great feat, all the actor is doing her is mimicking without giving the audience any real character to grasp. Why people always confuse this sort of thing with great acting continues to astound me.

And now I just read this and realised that I haven't really given any reason why this performance made this list at all. The thing is it is enjoyable: Foxx has the charisma to carry the plodding film and to entertain. I most surely like this performance (maybe even quite a bit) but it is vastly overrated.

87. Paul Bettany, Dogville

Lars von Trier's Brechtian condemnation on American society and, in fact, society at large is an enthralling iconoclast piece of work that, while far from perfect, is certainly chilling and mesmerizing. This, of course, is in no small part due to the wonderful cast of actors he has lined up: Nicole Kidman, Patricia Clarkson, Lauren Bacall, James Caan, Chloe Sevigny, Stellan Skarsgard, Ben Gazzara, Harriett Andersson, Philip Baker Hall, the list goes on and on. The cream of the this bountiful crop is Paul Bettany. The actor, who constistenly turns in wonderful work, takes the role of Tom Edison and milks it for all its worth: embracing the character's false sense of entitlement and superiority, his delusions on who he is and creating a performance that despite the very nature of the exercise taking place manages to connect with the viewer on both an intellectual and emotional level and thus make a remarkable impact.

86. Leonardo DiCaprio, Catch Me If You Can

Leonardo DiCaprio's renaissance as both an actor and a star is possibly one of the most wonderful turn of events I can think of, for he is so consistently undervalued. Now I know that sounds ridiculous but its true, while he's certainly not undervalued as a star (there's a good reason every one got sick of him and that reason is called Titanic) but he is, at least in cineaste circles, underrated as an actor. He is not always at the top of his game but when his is, as in this joyous Spielberg film, he more than proves his worth. As Frank Abagnale, Jr., DiCaprio brings all the charm, cunning and whimsy needed to make this a bravura turn. He spins a web so delicious that you instantly understand just how this young guy can get away with everything he does. This is a performance that perfectly illustrates not only DiCaprio's generous talent but his charisma and star quality as well.

85. Kevin Bacon, Mystic River

Kevin Bacon's work in Mystic River is almost always overlooked. Who can you blame though? In a cast as rich as this its easy for different people to be affected by different performances, but while everyone was salivating over Tim Robbin's Oscar-winning performance, I was enraptured by Bacon's quiet and slowly brewing work as Detective Sean Devine. Consider the scenes where Devine sits alone in his apartment talking to his wife over the phone even though she won't answer back or his first scenes scanning the crime scene of his friend's daughter's death. Both are razor sharp depictions of a man who at first appears stoic but in reality is almost bursting at the seams. Bacon is perfect at playing these sort of characters, knowing just how to create a balance between emotion and reserve- Its just as Robert De Niro once said "It's important not to indicate. People don't try to show their feelings, they try to hide them,". Bacon understands this completely.

84. Steve Coogan, 24 Hour Party People

I've already gushed about Steve Coogan in the last post so I'll try to keep this short:

This performance is too fucking awesome for you to handle.


There. I'm exaggerating, a little, but who the fuck cares?

83. Tobey Maguire, Spider-Man

Here's where we start to raise eyebrows. Some of you may scoff and others may simply dismiss me as an idiot, but I ask you: how could Maguire have performed this character any better? The most fascinating thing about Spider-Man is Peter Parker and Maguire understands this and puts his energies into creating a fully fleshed-out characterization. His big blue eyes immediately convey all the innocence, burden and openness that are the core of this character. Finding the perfect amount of vulnerability that is so necessary for this confused teenager. That isn't to say that there isn't anything else, when he's all suited up in his costume swinging from skyscraper to skyscraper and saving Mary Jane from the clutches of the Green Goblin, Maguire shows that he's upto the task of being an action hero perfectly; at ease both in and out of the costume.

82. Mike White, Chuck and Buck

This film is possibly one of those on this list that most people have assuredly not seen and that, my friends, is a great pity. Few films can create the strange sense of whimsy and uneasiness that Chuck and Buck pulls off. While director Miguel Arteta deserves a handful of the credit, so does Mike White who not only stars but wrote the film too. The performance is a dangerous wire act and White is careful not to ever empathize with Buck but also never condescend to him. White also manages to convey all the longing and desperation in the character all with a few glances, never retreating into full-blown histrionics. However, the true wonderment in performance is how White never becomes self-aware, he portrays Buck throughout the film as the man-child who refuses to understand what he is doing and the consequences of his actions.

81. Tony Leung, 2046

Tony Leung's performance in this film is of course a sequel to his work in In the Mood for Love. Leung is however too great an actor to simply give the same performance twice. He understands the great changes Mr. Chow has gone through and ages him appropriately. There's very little left of the nice young man who rented an apartment all those years ago and Leung perfectly illustrates the erosion of happiness in the character. The new Mo Wan is sullen and loveless , treating all the women that he meets with contempt and a hint of misogyny- it seems that now that his Great Love is gone, he has very little left to make him happy. It is in his scenes with Faye Wong's character that Leung is truly inspired: as the young girl enthralled in love confides in him, Leung shows us flashes of the old Mo Wan- still the hopeless romantic.
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